500–1500
Medieval English
1485–1660
The Renaissance/Early Modern Period
1660–1700
Restoration (beginning of the Long 18th Century)
1700-1780
18th Century (Enlightment)
1780–1832
Romanticism
1832–1901
Victorian Age
1910–1945
Modernism
1960s—80s
Postmodernism
Periodization
separation into different periods
contextualize texts and make sense of them
learn about historical periods (movements within society)
essential as a framework for orientation
no hard lines
might limit our viewpoints
Arbitrary constructs based on the ascription of allegedly typical features
Literature is problematic due to historiographic source material
Sonnet 18 - SHALL I COMPARE THEE TO A SUMMER’S DAY?” by Shakespeare (1609)
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date;
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimm’d;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st;
Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
Sonnet
14 lines
Sonnet invented in Italy ( 4 -4 - 3 - 3) but Shakespeare altered it (did not invent it)
3 quatrains (3 x 4 lines)
1 heroic couplet (1 x 2 lines)
Iambic Pentameter (5 x unstressed - stressed)
rhyme scheme ABAB CDCD EFEF GG
B as an eye rhyme
volta in the 3rd quatrain introduces a twist (division into 2 parts)
Speaker (I) and addressee (thou)
Conceit (a metaphor that runs through the entire poem often about the poem of the speaker)
Metatext (poem about the poem)
Topics of the Renaissance
age of form
rebirth of Greek and Roman culture
Idea that human matters was reborn (before that time only the king was important)
Each individual is important (Humanist approach as a return to humanism)
Humanism is a focus on the universal human on a general level (superior figures vs the others)
rise of England as a naval power
age of exploration and colonialism
not only art for the upper class (everybody can attend the plays as you don’t have to be able to read)
The Royal Slave by Aphra Behn (1688)
One of the first professional woman writers
was ahead of their time therefore more part of the 18th century then Restoration)
First novel of ideas
Long 18th Century
Text with the point of few of a slave (first text about slavery)
problematic as she is a white woman
Realist writing as it is writing concerned with everyday problems of the common people
Create a political point through fiction (realistic writing) - reality effect so that British people can understand what’s going on
long sentences to give extra information to make it plausible and realistic enough
makes herself a character in the story and writes some passages in first person, switching her role between author, narrator, and character to make it even more realistic
Pause as we get extra information
extradiegetic level
homodiegetic (I do not pretend to give you…)
Giving you the truth even though it’s not (if u believe the story its good enough and plausible enough)
Teaching through fiction (get rid of slavery)
Massive contradictions between the idea and the reality in times of Enlightenment
Topics of the 18th century
Enlightenment
rise of the novel
reality effect
realistic writing
slavery (transatlantic slave trade)
18th century (Enlightenment)
continuation of the renaissance to make sense of the world
Rise of the middle class (about the individuals thinking for themselves)
Industrialization
Rise of capitalism
women are improving their status
beginning of western capitalism
Humanism
individual human experience (what it meant to be human)
each individual thinks for themselves (king is not that important)
Rise of the novel
New consumer culture and literature mass market connected to the rise of the middle ranks in the 18th century
Normal life and more complex individualized characters
Talking about the life experiences of the middle class (middle class can identify with it)
write something people are interested in
New consumer culture which included literature
Make more money write longer text which results in the rise of the novel
Reality effect by Roland Barthes
Long description indicating Reality Effect (using long descriptions that are not necessary to make it feel more real and plausible)
radical writing
sounds normal (banal character)
readers of the book is similar to the character in the book)
creating a back story to make it feel more real
Realism (realistic writing)
Realism is not the opposite of fiction instead it’s a form of fictional writing using different conventions and features
realism talks to a group of people
not about things that happen but could possibly happen
mimics our sense of reality
characters which are very specific and detailed depiction of external reality
Emphasis on individualized characters are more complex and have an identity (makes it relatable for the reader)
Robinson Crusoe by Daniel Defoe (1719)
is based on various authentic accounts of experiences, including those of the sailor Alexander Selkirk, who lived for several years on a deserted island
fantastic style in favor of a realistic narrative
Long description indicating Reality Effect (using long description that are not necessary to make it feel more real)
creating a back story to make it feel more real (reality effect)
readers of the book is simlar to the character in the book
unnesseray information to make it more realistic and make it more plausible
Topics of Romanticism
strong emotions
not everything is supposed to be beautiful
spirutuality
nature
mysterious
larger than humans (explore the limits)
Confronts the individual with something which is bigger than them
Critic of rationalism and industrialization
Reaction to the period of Enlightenment (science can't explain it all)
Enlightenment went to far due the disconnection to nature
·Romanticism ≠ everything is supposed to be beautiful
Common trope – alone in the wilderness
Individuum (Humanist approach)
female Gothic
beginning of horror texts
The World is Too Much With Us” by William Wordsworth (1807)
The world is too much with us; late and soon,
Getting and spending, we lay waste our powers; —
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.
Sonnet 14 lines
ABBA ABBA CDCDCD as the rhyme scheme (European Sonnet not in the Style by Shakespeare)
octave
sestet
Iambic Pentameter
5 x unstressed - stressed
Enjambment
verse that does not come to an end at a line break; rather, it rolls over to the next line
Personification
attribute human characteristics to non-human
Allusion
indirect or direct reference to a person, place, thing or idea of historical, cultural, political or literary significance
metaphor
comparison of things (represents the mother)
World is too much for us
Humans are too much for the world
Critic on rationalism and industrialization
We are disconnected from nature
Nature is beautiful and we don’t even realize it
We don’t own nature
Nature is above us
Different gods and religious views
Spirituality is everywhere and not just in religion
Talking about the individual (individual I)
“Preface to Lyrical Balladas” by William Wordsworth (1805)
Poetry is the spontaneous overflow of powerful feelings
chosen to reflect in peace
The Victorian Age
Age of invention, Industrialization, reform, and empire
Technical advances speeding up
Political answer slowing down morals (back to conservative morals)
Very conservative and rigid moral systems
Strong female voice (conflict with society)
Morals are very strict
Separate spheres
moral expectations and negotiates extremes
Victorian realism often concerned with social and political themes
Talking about taboos such as sex or attraction in general
talking about it without talking about it
Coming of Age novels (talking about young people and how they find their place in society), Rite of passage stories (spiritual education)
Victorian Literature
Fairy tail structure
showing social problems in an entertaining way
Best of life vs bad things (inventions and suffering people)
Royalty has the best life without even working for it (the ones that suffer do the work)
critical enough to be relevant
offers a little critic on social constructs
A TALE OF TWO CITIES by Charles Dickens (1859)
"It was the best of times, it was the worst of times…" The year is 1775, a time that the narrator describes through a set of contradictions
full of promise and threat
novel's use of the past to comment on the present
The narrator tells an allegory of the Woodman and the Farmer—figures of the coming revolution who are silently at work
The Woodman stands for Death and the Farmer for Fate
allegory (reveal a hidden meaning - political)
Realism in the Victorian Period
political statements
struggles caused by the French Revolution
Focus on politics within society and social problems
Contrary to the texts of Aphra Behn and Daniel Defoe (18th Century)
Text is metaphorical, and addresses social and political issues in a subtitle (two cities = political and social)
not in a straightforward way
Common in the Victorian Period – Certain issues and or topics were not addressed openly (e.g., sex, Political and social issues)
novel of ideas
Uses fiction to tell the truth about reality
Realist writing to make a point
Recreate enough reality to make it plausible
sublime
Idea of nature-based spirituality in Romanticism
nature is mysterious
celebarte the unknownability
larger than humans
confronts you (the individual) with something bigger than you
God is part of our nature and not above it or us
Nature is limitless and is everywhere
Hallmarks Renaissance
Rise of England as a naval power
Frequent rebellions & unrest
God can’t explain it all
Features Renaissance
Sonnett (Shakespeare as a common author)
Plays with individual problems (individualism)
Hallmarks of the 18th century
Rise of the middle class
Women approved their status
features of the 18th century
Realistic writing to make a point plausible
Reality effect through long descriptions
Rise of the Novel
Humanism (I)
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